Scale of the Day: F Ionian minor 2 no 5

The intervallic content of the F Ionian minor 2 no 5 Scale as one would find it on any conventionally tuned, equal tempered instrument.

Scale of the Day: G Pythagorean Ionian no 5

The G Pythagorean Ionian no 5 Scale. A 3-limit just tuning of this subtractive scale. The 4/3 perfect fourth is the only utonal member of this scale.

Scale of the Day: F Ionian diminished 5 & perfect 5

The F Ionian diminished 5 & perfect 5 Scale as one would find it on any conventionally tuned, equal tempered instrument.

Scale of the Day: D Flat Ionian mapped to the Square-root-of-2

The D Flat Ionian mapped to the Square-root-of-2 Scale. Fun with quarter tones.

Scale of the Day: B Ionian

The intervallic content of the B Ionian Scale as one would find it on any conventionally tuned, equal tempered instrument.

Scale of the Day: D Flat Ionian diminished 5

The D Flat Ionian diminished 5 Scale as one would find it on any conventionally tuned, equal tempered instrument.

Scale of the Day: A Ionian no 5 mapped to the Square-root-of-2

The A Ionian no 5 mapped to the Square-root-of-2 Scale. Three quarter-tones away from being a standard "chromatic run" from A-natural to E-flat.

Scale of the Day: G Ionian no 5

The intervallic content of the G Ionian no 5 Scale as one would find it on any conventionally tuned, equal tempered instrument.

Scale of the Day: A Ionian minor 2 no 5

The A Ionian minor 2 no 5 Scale as one would find it on any conventionally tuned, equal tempered instrument. This scale takes its interesting hue from the augmented second between the minor second and major third and the 400-cent gap left open by removing the fifth.

Scale of the Day: E Flat Ionian diminished 5 and Perfect 5

The E Flat Ionian diminished 5 and perfect 5 Scale as one would find it on any conventionally tuned, equal tempered instrument. The doubling up of "fifth degrees" suggests some interesting leading tones for linear development.

Scale of the Day: E Ionian

The E Ionian Scale as one would find it on any conventionally tuned, equal tempered instrument. Also known as the "E Major Scale."

Scale of the Day: B Ionian no 5

The B Ionian no 5 Scale as one would find it on any conventionally tuned, equal tempered scale.

Scale of the Day: E Flat Ionian mapped to the Square-root-of-2 1% narrow

The E Flat Ionian mapped to the Square-root-of-2 1% narrow Scale.

Scale of the Day: E Flat Ionian mapped to the Square-root-of-2 2% wide

The E Flat Ionian mapped to the Square-root-of-2 2% wide Scale.

Scale of the Day: E Flat Ionian diminished 5 mapped to the Square-root-of-2 1% wide

The E Flat Ionian diminished 5 mapped to the Square-root-of-2 1% wide Scale. Diminished, squeezed into one half the intervallic space (equal temperamentally speaking) and stretched outward just a touch.

Scale of the Day: E Flat Ionian 3% narrow

The E Flat Ionian 3% narrow Scale. An equal tempered "major" scale with a bit of intervallic compression.

E Flat Ionian diminished 5 2% narrow

The E Flat Ionian diminished 5 2% narrow Scale. Featuring the sweet dissonance of the 24-cent flat octave as the interval of "harmonic equivalence."

Scale of the Day: E Flat Pythagorean Ionian 1% narrow

The E Flat Pythagorean Ionian 1% narrow Scale.

Scale of the Day: E Flat Ionian 4% wide

The E Flat Ionian 4% wide Scale. An equal tempered "major" scale with enough extra width to pick up almost a full quarter-tone per octave.

Scale of the Day: E Flat Ionian diminished 5 3% wide

The E Flat Ionian diminished 5 3% wide Scale. The push-pull aesthetic of the diminished fifth against the stretched interval space appeals to a sense of balance.