
Another thing to keep in mind with Square-root-of-2 based scales is that, compositionally, pitches 600 cents apart are to be treated as pitch-class equivalents. This can have an interesting auditory effect as the traditional 1200 cent "octave" is treated as a 'consonance' equal to that of the "tritone." It's an effect that is both familiar and disconcerting (a good pairing to work with musically).
Two-note scales tend to be harmonically impoverished. Any composition that makes use of such scales is "minimalist" in the strictest sense of the term.
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